An intimate part of the show are the writings from the journey of my work. As I completed the labels and added my words to the walls I felt I would also place them here with images to surround them, to include some of the emotional content that was part of creating this exhibit.
R E L I E F : my definition : Creating an altered surface. Somehow lifting things forward or moving over other things.

Human L A N D S C A P E :
Process : Discarded drawings painted over. Back to sessions with the model and draw again. Paint eraser conte crayon flannel pastel graphite; layers enriching lines pulling on the figures. Often the whole paper wiped, leaving only a faint trace . . . then again . . .

Smearing drawing erasing scrubbing off areas scratching scribbling. In time I stopped watching and joined with the work climbing into the surfaces.

Exploring red oxide and gold leaf over the skies, creating bright space above the horizon . . . mark, colour, texture, surface found harmony. I felt the paper sing.

Connecting papers is something I have played with for many years. This series was created over four months of life drawing sessions. When papers emerged they seemed to fall into a natural sequence, into a larger form of the experience.

The series became E I G H T papers…here is a slideshow of the series, just click on the first image and it will lead you through the sequence . . .
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To speak about a place of deep insecurity, of searching for r e l i e f : As I joined the surfaces during drawing sessions, as the work found strength and harmony in the sky, as I began to hold a paintbrush as I would a piece of graphite or conte . . . in those moments I found release.
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Reflecting on Angels:
Symbolic of hope, flying, mischief, love, afterlife
I do not see the wings … to me angels are those who cross or enter your path without marking it . . . shifting perspective, opening possibility at the heart.
Breath of fresh air … purity and light … movement … raw kindness
If one became aware of the wings, there would then be the need to learn how to use them.

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Finding Relief : the connecting of different practices, using the strength of each … hitting straight through the lines, the layers, the doorways … then humbly starting again.

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Because liberty and ability was pushed gently towards strength, once I could hear him I was able to express with greater freedom … the gold layer brought both discovery and completion ~ like a crowning of the years it has taken to make these marks of emerging confidence.

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This work is my evolution, my relief.
I have always loved the idea of painting … somehow felt marked for it … in critique there has often been disfavour and discouragement … in reaction I have shied away.
I have returned repeatedly to the brushes, and the connection remains tentative. The desire to unearth deeper significance aches within and does not let go.

The p o e m s . . .
Insecurity
Deep
Growing like sharp teeth on tender flesh
Like ancient rumours of bad blood.
In a flicker of remembering
Reduced to the most intimate darkness.

Isolation deep
Playful solemn
Intriguing distant
Life intensely moving
Inside the stillness
Feeling like touching
Speaking of nothing
Longing
A beggar
Crying for applause
Approval
Wishing a stranger would recognize some greatness
And lift me up.
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If I were to simplify all the words it would be that what has always been in my heart and soul … at last has entered my blood.
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The show now rests . . . with y o u .









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